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The Accusation (and one other story)

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    The Accusation (and one other story)

    (Note: More than anything, I'd like to hear criticism. I'm still editing this, so I need to know what doesn't sound right, and what doesn't make sense. One thing I have been criticized for is moving too quickly--but I'm not sure if that's the case here. At any rate, this is just something I've done on my spare time.)




    The events of recent times are a vast jumble for me, and I still have difficulty piecing them together within my own mind. I am fairly sure of the details, yet I am shocked to now realize what has passed. I can scarcely believe, either, the number of years I spent living under the oppressive shadow of this “thing.” I question why I never took permanent leave of my apartment during these years—certainly it would have been difficult from a financial perspective, but it was by no means infeasible. I suppose there was a certain quality about the entire matter which drew me in and made me feel as though I must bear through it for as long as necessary. In honesty, I think I would have found its presence inescapable had I challenged it.



    The “thing” I have alluded to was the manifestation of a night-specter in my apartment, who, for many years I believed I fancied thumped, scratched, and crawled about endlessly within the walls of my bedroom at night—only coming out occasionally to walk about in the deepest hours of the night, long after I have resigned to a night’s rest. Awakened from this sleep at odd intervals, I have, for years, often been witness to this image: the figure of a deathly thin and corpse-like person silhouetted from the light in my window, robed only in ragged, non-descript grey garments and an exceeding abundance of wiry hair of the same color, which obscured its facial features, if it had any. It had a rough, outwardly resemblance to that of a woman, but by no means an attractive one, even from as little as I could discern in the moonlit room—the frame was hunched, rigid spine visible, and the legs bowed at a strange angle as if they were broken. I cannot say where it appeared from, for it was simply always there when I awoke, and ceased to be when the sun rose. It walked about the room in an awkward, noisy, pained gait, pausing at intervals to stand erect—as best it could, at least—at different locations. It would retire, perhaps, into a dark corner of the room, barely visible, where I would find it upon waking, or it would stand directly in front of the window, making its presence apparent all at once, or, even yet, the bizarre creature would pause overlooking my bedside, wheezing hoarsely in that way it did, shrouded face pointed directly toward me, spindly grey hairs inches away from contact. I could not help but feel as though it was accusing me of something in this horrifying way, and I was always too overcome with fear to make the slightest movement.


    I have said that the specter also crawled within the walls of my room when it was not visible to me. Oftentimes, these instances were even more frightening than when I beheld the monster near to me, for it apparently scuttled about with amazing haste within the walls, uncharacteristic of its awkward, pained gait from within my room. I can tell you that I did at first believe that there were two specters because of this. However, I have been led to believe that it was indeed the very same creature, only heightened and exhilarated from being within its proper element. For instance, always, during its frenzied thrashings at night, I heard the noises it made emanating from corresponding parts of the room—sometimes to the right of me, sometimes to the left, far above, or below, or in a hidden corner of the room. I once, foolishly, went so far as to place myself near the source of these noises, so as to hear them more clearly. The louder noises ceased when I came nearer, and I soon heard two new sounds—one after the other. First, a subtle, rusty, springing noise that seemed to confirm that, while no activity was now present, there indeed had been just recently. Second, I heard hoarse wheezing from inside the wall, in every way identical to that which was produced by my bedside. I recognized this immediately, and was made alert. I also came to the delayed, yet terrifying realization that the sudden cease of activity within the walls had been in answer to my proximity to the monster—that is, it must have known exactly where I was, and what I had been trying to do. I wavered there momentarily in the dark near its breathing, unable, for the life of me, to decide what I should do next. The breathing grew hoarser, as if trying to say something, and quickly rose to the level of a high, womanly shriek of not fear, but of monstrous, idiotic glee. I could have said it sounded like laughter, but... such was clearly not the case, as you might have noticed had you heard it yourself. It was, as I have said, truly idiotic, as if it came from the throat of one criminally deranged. There was only one syllable to it, and no change in pitch—almost like the bleating of an animal—and also something else truly wrathful evident within its character. Immediately the shriek was joined by loud thrashings signifying the creature’s return to its activities just as before, now with much more fervor. I jumped quickly back under my sheets, and the thrashings continued the rest of that night, much louder than they ever had been, and now accompanied by bursts of that horrible, repetitive shriek. It may not even be worth noting that I could not sleep at all that night, only lay awake in absolute dread until the sounds ceased with the rising of the sun. From that point on—almost like a punishment for my curiosity—I would hear that awful shrill noise repeat endlessly every time the monster materialized itself.


    Of course, I had reason, back then, to believe that these torturous visitations were purely the makings of my own imagination—the most implicating evidence being, of course, my drug abuse in my twenties. It is not too difficult to imagine that these alarming sounds and visions, as clear as they might have been, were merely the by-product of roughly a decade’s worth of addiction to hallucinogens (I had of course quit long before these incidents occurred, but I assumed they continued to happen because a lot of irreparable damage had been done.) Additionally, its wanderings up to this point had been completely at random, and aside from the frightening nature of the visitations, had been harmless—for I always found the room unchanged the following morning, and I, none the worse myself. Furthermore, many of the specter’s activities (such as its noisy migration through the walls) were proven impossible by certain facts about my apartment which I inquired upon. Let me explain: for many years I have lived alone in an apartment in the more impoverished part of town. The outer frame of this building is very old, but only the outer frame. The inside has long since been hollowed out and redone in such a way as to accommodate very cheap housing, so the walls between rooms are exceedingly thin—perhaps close to two or three inches—and there is no reason to believe that something the size of the specter (about the size of an average person) could fit within them or move about so dexterously inside. Also, because the flimsy nature of the walls, it is common for someone in one room to hear what goes on in his neighbor’s. I have questioned many tenants about loud and bizarre sounds issuing from the walls (of course doing so in such a way as to not draw attention toward myself), and not one of them ever noticed anything like it. The appearance of the specter inside my room is also inexplicable, due to there being no passageway, visible or hidden (I inquired about the latter to be sure) large enough for its entry. The only reasonable source could have been the ventilation hole, and this, aside from being very small, was covered by metal grating that had been screwed on quite firmly. I satisfied myself with the idea that even if such a creature as I had imagined could have possessed the intelligence to enter through this method, I would have easily been able to tell by the sound of metal hitting the floor.


    However, my investigations never put an end to the nightly visitations. It had been easy to deny them while they were infrequent, but that was changing rapidly through the course of years—and now they occurred nearly four days out of the week. I found myself unable to remain comfortable at home, or to focus on work. What were these occurrences? Why so vivid? Indeed, if they were only a product of my mind, what did they represent? I pondered myself haggard over these and many other beleaguering questions, and this eventually led me to the strange, accusing manner with which the monster regarded me—and so I thought, searchingly, “this most surely must be related to my own guilt or regret over some matter long past... but what? What?”


    I came to nothing. It was inevitable. I could not understand the nature of this madness—no matter whether it was simply my own, or otherworldly. And because of this, I only felt myself further consumed by it.


    Let me forward to the previous month: by this time, the haunts had become chronic, and I felt myself becoming more absorbed than ever. I took leave from work so that I could devote to the creature all my time and energy (I do not remember if I slept during this period), and I waited, every hour of every day, for the coming of nightfall with a mixture of anxiety and morbid enthusiasm. No matter what the cost, I had to bear myself directly to this madness—I felt as though I absolutely must.


    Always, always at night I was greeted by the chilling presence of the creature through either the horrid racket it produced, or its inexplicable appearance coupled with that horrible, repetitive, mono-syllabic shriek. Leaving the lights on and staying out of the bedroom amounted to nothing, I might add. When it appeared, the lights would shut off, and it would find me. My hopeless fear of it turned to pure hatred as days passed, and thus I soon came to the realization that whenever the creature made itself visible I was kept in a state of unexplained paralysis while it moved freely about me in the dark. I could be sitting in a chair, or standing, but no matter. It seemed to be ridiculing me as it presented itself in such a casual manner—listlessly ambling by unconcerned with my being there on some occasions; staring face-to-face with me for hours on others.


    As I watched it before me night after passing night like this, powerless, I was filled with nothing but the most venomous anger, and struck with the insatiable desire to beat the life out of the terrible thing through whatever means possible—but my muscles refused me, and I could do nothing. I could do nothing when the beast was not visible to me, either. I was free to move about then, of course, but this did not abate my ever-rising temper. I simply ran about the room in a fury, screaming and pounding on the walls in a frustrated search for where I might find it—and this, only to its heightened content. It shrieked with all that inhuman delight which it had expressed months past, thrashing even harder than I thought possible. I swear it entertained itself by moving through the walls and ceiling faster than I could keep up. Surely it mocked me knowingly.


    Eventually, I was allowed the chance to break free of my paralytic bonds and act out on my violent feelings; though at the time I did not understand how or why. I did not care to question, though, preoccupied as I was with my wicked intentions. I had stood by silent and immobile for far, far too long, and my only thought was to put an end to all this. Indeed, I killed the creature with my bare hands and with the whole of the wrath contained in them. After seizing the creature by the arms, I threw it to the ground, making sure the back of its head struck the corner of a nearby end table. I had expected more resistance, but was undaunted, and continued, crushing its unexpectedly fragile ribcage with my feet, then beating its head many times more upon the same corner of the end table until blood came out. It struggled quite a lot during all this, flailing its limbs about madly and shrieking with greater volume than I cared to hear, but this availed it nothing. It was pathetically weak compared to myself—helpless. When it had ceased movement and my thoughts began to clear, I wondered if this really had been the creature that had troubled me for so long. I became curious about its facial features, which I had never seen before, and were presently still obscured by its hair. I unburied them, and found that it had none. Its face was a pale—and now bloody—featureless orb.


    I was fairly unsurprised. I did not expect this, exactly, but on the other hand, I hadn’t at all expected anything remotely human. Furthermore, I hadn’t found these features quite as shocking as I anticipated. I began to feel unsatisfied with the way I had killed the monster—I almost pitied it. It seemed, somehow, anti-climactic.


    When at last I turned away from the corpse, I was immediately met by an absolute chorus of shrieking. Dozens of voices, all identical to that of the specter’s, rung through my apartment from all directions—and now I knew for certain I was being mocked. I searched the room madly, and in vain, while this insanity continued. Eventually, I burst out of my room exasperated, into the apartment hallway—and found something more was amiss. The walls, the floor, the ceiling; everything was black and white in coloration, sort of like a monochrome photograph—but not quite—for extremely bright portions of the area, such as a window or light socket, were directly adjacent to extremely dark places, such as doorways and most of the hallway. There was no middle ground between these two extremes, and so I found that while I was being blinded, my vision was cut off by the darkness. Immediately I lost my sense of location. I stumbled about gropingly for a moment. And soon I noticed several grey figures before me, hunched, featureless, and seemingly identical—the only objects of actual depth. No amount of shrieking, I must add, had quelled from the moment I left my apartment onward. If anything, it had increased, and I noticed a great amount of it was coming from the direction of this party. I immediately recognized them as my aggressors, and I was filled anew with violent and irreconcilable wrath. I took a mad dash at them, knocking one over and beating it into bloody submission. They—all of them—retorted with the loudest, most horribly inhuman racket one could have imagined, and for this, I grew even more enraged. They dispersed into different parts of the long hallway, apparently aware of their newly exposed weakness against me. It was a poor defense, however, because as there was no cease in their screaming, I could hunt them by ear. And this I did, in a blind, raging madness, for what seemed like hours but could have been only a few moments. I was relentless in my pursuit of them—far worse than they had been to me, perhaps. The dead lay innumerable.


    My senses came back to me much, much later on, and only once I had satisfied myself with the deaths of my final victims. I was in a bedroom—not my own—with the slowly dying body of a very young woman on the floor at my feet. My quarry, so to speak, had not entirely been what I thought it to be.


    I was in a rocking chair overlooking her in silence. She had already bled a very large quantity of her own blood, and was lying in it. She was far beyond help. Her pale and bruised body quivered every so often, with its final, fading pulses of life. Far beyond grief, I simply mused about how such a delicate thing could have, through the efforts of tireless love and human compassion on the part of her nameless parents, been born and raised through the long years of her youth, only to now, barely into the full bloom of adulthood, be killed so brutally and senselessly by a total stranger such as myself. And I was struck by how meaningless everything seemed to be at that moment. She must have had similar thoughts—or at least I wished she had—as her unblinking eyes pointed at me from the floor, eventually into eternity. Her death had been mechanical—as close to, and as concrete as the splitting of wood, or a spine. How condemnable could such a simple act have been? I felt as though I had not been present when my killing spree occurred—but, all the same, what is done is unchangeable. The results were directly in front of me: she and I were both covered in blood, but only she was covered only in her own.


    My actions could not possibly have gone unnoticed, of course, and I was shortly apprehended by several officers who led me outside. I complied, numbly, and as I stepped out of the bedroom I gave one final glance to the corpse of the young lady—in particular to her face, which was bloody and pale, and obscured by matted hair. At a distance it looked indistinct and featureless—almost like an orb.


    At my trial, which was a short one, I learned that I had begun my killing spree by murdering the aged cleaning lady, who entered my room at noon when I did not answer to her call. My blinds had all been drawn closed by myself, and apparently I had lost all sense of time because of it. I suppose this also explains the surreal effect I encountered upon leaving for the outside, since I must have been ill-adjusted to a normal level of light for days. The landlord and some of my neighbors were gathered around my door after hearing the disturbance. They I had killed, as well as many other people.


    I am aghast by the gruesome crimes I committed that day. I am surprised, too, by the extraordinarily cruel manner of the killings. I have never associated myself with such cold-blooded qualities, and neither could I have imagined myself possessing such inhuman might and tenacity. I was consumed by such animal hatred that I willed it to happen—all of it. I have, sensibly, pleaded my case as insanity.


    But, it does not end there—it hasn’t ended. I am still haunted by the specter—the authentic—to this day, every day within my cell. Still the same loud thrashings during the night, and still the same awkward, pained stroll about me while I remain paralyzed—and it seems as though this shall never cease. But, I can at last appreciate that I now understand why the creature haunts me. My guilt may have been delayed from the time I first beheld the creature, but it always knew. It knew. I can never forget what I have done out of anger. That was my sin—my only real sin.
    Last edited by Xisthruos; 10-05-2005, 06:56 PM.

    #2
    Re: The Accusation

    I read all of it and I liked it.
    I don't know if you could go about it any other way, but I don't know if saying who he killed was extraneous or not.

    Criticism:
    I don't know how well someone who is "hunched over" can "stand erect"

    Comment


      #3
      Re: The Accusation

      Happy belated Birthday, Xis. I'll read this when I get a chance.

      Comment


        #4
        Re: The Accusation

        I'm slacking off in my duties as writing critmaster.

        Grammar, spelling, punctuation. Phenomenal. I'm so glad to see a story given ease of passage by being properly written.

        This is, however, one of the only aspects of your story I really enjoyed. It's written well, and your language is top-knotch, but almost the entire thing felt forced to me. Your complex sentence structures are correct, but the lexiconic qualities don't work for the story.

        The story itself reads more like a lab report or a book report, pointing out finalities and facts, but it doesn't embellish anything or make use of descriptions like it should. Your descriptions of the specter --ghost, phantom, haunt, what-have-you-- are detailed, but that's all. I felt none of the stark-raving fear or disjointed reality of the narrator, and it wasn't until you made awesome use of extreme contrasting of light and darkness that I even became interested in the story.

        I noticed a rather distinct lack of two particular senses: smell and touch. It's to be understood that taste could go unnoticed and not be missed, but something of the olfactory and a hint at how the 'phantom' felt to the touch rather than lack of adverse force on its part could go a long way. This is especially true in first person storytelling, where you're giving the reader the role of the main character.

        It's good from a grammarian standpoint, but it just didn't entertain me throughout most of the story. I had the inexorable points made clear to me, but it didn't provide me with the consternation you so avidly described and apparently wanted the reader to understand, yet not feel.


        I'm getting the sort of vibe from this story - the way that it's told - that you wanted it to be disjointed and not really creepy nor felt. Is this something you were going for? If it is, I have to say you did a remarkable job of it, but if so, what's the point?



        Wow. I just read over this and it seems pretty critical. I apologize for being so crude.
        "Mindless killing doesn't do a lot for me anymore." - Sampson

        Comment


          #5
          Re: The Accusation

          I Like to Lurk-
          I was a little worried about pointing out the victims themselves added some unnecessary detail given the sparse way that this was written, but I haven't found a better method.
          As for the "standing erect" part: in that same sentence the phrase, "as best it could, at least" appears shortly afterward to describe it. That probably backs the statement well enough.

          Kefka II-
          My birthday is a month-long celebration. Happy Octoberfest.

          Big Rick Cook-
          This is a scribble. When I write, I’m usually more interested in evoking a certain mood or quality than I am in setting up a plot concretely. The result is something that probably means more to me personally than something that can be realized and readily enjoyed by anyone else. I don’t mean to say I’m on a different level than others—just in a world by myself. This lack of attention to detail could be an example of weakness on my part, from being too interested in what I want to portray and what I have to gain, rather than what is important for the story.

          But, anyway, I’m starting to see how incomplete the ending was. I think I was a little (or a lot) too vague in explaining it in the final paragraph.

          I’ll explain: you have a main character, a man, who is allowing himself to be tortured by some nearby entity, which we cannot tell if real or imagined. It is a problem he does very little to solve, and compulsively attracts himself toward. He is never a victim in the story, because the “visitations” do him no actual harm, and his reactions to them—both fear and blind rage—were purely of his own making. And yet, at the same time, it seems inescapable that any rational human being would have had similar feelings in this situation—a hopeless dilemma. Humans are weak in this manner, and a single problem—big, small, real, or imaginary—can cause a person to act irrationally and unnecessarily (in the eyes of others) because they are trapped in a room with only what they can perceive for themselves. So, the main character continues to be tortured by this “problem” of his, because his outburst was not in any way a solution to it—only an unrelated response. He feels a lot of grief afterward because he’s realized this entirely at the story’s end.

          Anyway, thanks for the input. I think I’ve found a better story to portray the same theme in. I’m going to try working on that once I’m able to.

          Comment


            #6
            Re: The Accusation

            I understood the theme well enough, I just didn't like the story for the reasons I stated earlier.

            I still applaud your ability to write, and that moment when you used light and darkness was cool as hell.

            I guess I was just expecting it to attempt creepiness or scaring - an atypical thing in these types of stories - but it's not like that's necessarily a bad thing. The theme gets across with or without creepiness, I just thought it would have been better with.

            Opinions and subjectives. This is what I live for.
            "Mindless killing doesn't do a lot for me anymore." - Sampson

            Comment


              #7
              Re: The Accusation

              I have a similar writing if you're interested, rick. It's a bit shorter, and the character's background is much less developed. When I wrote it, I was mostly interested in writing a description of an abstract environment. The ending's a bit sudden, I'll admit.


              -White-

              It was neither heaven nor hell, but it was horrible. The landscape before Simon presented itself in stark contrast to anything either of the two worlds represented to him. Everything material was made of white stone or marble, and had been shaped, curiously, into structures remotely resembling the ruins of classical Greece. These were white floors of square tiles upon similarly white cliffs, accented by lines of white, grooved columns—columns that, while strikingly similar to classical design in basic appearance, did not have quite the same ornamentation, except that they were grooved similarly (albeit in a cruder fashion). Because of this they were foreign, but in a manner that was mockingly familiar. There was a sky, and this also was white, like the rest of the environment. It was white like a cloudy day after a distant rainstorm, showing hints of violence while being very, very bright. The marble cliffs, as they were the only visible landforms, appeared as islands in this sky. They seemed to rise out of the thick atmosphere from a hazy cloud of ether below and reached infinitely upward in a similar fashion. In the sides of these cliffs, tiles broke and trailed off into ruin while pillars jut out diagonally and broke into segments. It was a silent, motionless, yet perpetuate disarray—and somehow eerily natural, as if it had been carved completely from terrestrial processes.


              In truth, if Simon had viewed or experienced the bizarre structure of this place through some means second-hand, it would have all been more an object of curiosity for him than of apprehension, and he would have had no need to feel as terrified as he was. Instead, there was a more personal, frightening aura around simply being there, and to realize its materialization. A variety of details contributed to this—among them, the brightness of the area. It was ungodly bright—an incapacitating brightness that came from nowhere reflected off the unblemished whiteness of everything material. It was painful. It burned Simon all the way through the skin, and blinded him so that he could only take glimpses of the scenery at first. The sky seemed bloated by the light as if holding something in, or holding it back. In whichever case, it was oppressive in its size. Furthermore, the nature of the marble world did not allow shade from the light, and so not even the faintest intimation of shadow could be distinguished from the blaring white of the world and its architecture.


              Simon reflected: “It is not at all unlike an open wound—one that could never heal due to a harsh and abrasive wind,” and he then wondered why the air was so still in such an open, seemingly elevated place, for there was no wind. Only the most pristine silence hung in the air. The only echoes were those of messy footsteps generated through Simon’s half-blinded stumbling. He could not help but feel vulnerable because of this, for it surely made his presence very apparent. The unanswering silence only fed the paranoia that was growing within him. He felt as though something deadly was lying expectantly in wait.


              Simon’s first action upon finding himself here had been to survey the area immediately around him, and he still did so presently, as his impaired vision slowed him greatly. It was beyond him how so suddenly he had found himself at the top of such a tall structure. He paused for a moment to lean forward against a grooved column, and it burned into him like acid. He stifled a yell (for it seemed as though such an ejaculation might tear the dreadfully silent world apart) and promptly moved his hand away, taking the resultant pain as best he could until he was able to resume his train of thought. He pondered again his position on the marble cliff—he supposed perhaps that height was only a relative perception. So if, in fact, there was nothing below him save for the endless void of sky... But he shook this idea from his mind, for he did not wish to think he could be lost so far outside his own reality. He instead left himself to ponder the close alignment of marble columns that lay in linear succession in front of him. He squinted at them through the brightness as long as he could—which wasn’t very long—and saw that they trailed endlessly upward into the sky. Looking up at this height, he nearly lost his sense of balance and would have fallen, if the fear of being burnt by the white marble a second time had not saved him. The only limit to the columns’ ascent seemed to be the high clouds that engulfed them. Beyond that, Simon did not care to imagine. He felt weak now, and had no further intention of exploring. It was apparent that he was trapped here—even more so that his presence doomed him. The air itself burned him from the inside-out just as the sunlight burned him all the way past the skin. Every breath brought him closer to collapse. He felt dizzy. This entire world was poison to him. He staggered, again saving himself, while his mind filled with paranoid thoughts. Everything seemed to tilt further and further sideways while the environment itself began to ridicule him in his awkward suffering. Objects within the inanimate scenery had become oppressive spectators, and he was being screamed at from all directions with ineffable silence. The silence had become overbearing—it was everything here; full, pristine, and absolute. It was also mocking, and deceitful. It hid things from Simon. It belied the deadly nature of his predicament, and the quickening violence inside him, yet it contributed to both. Every motion of his body, even the pulse of life itself within him, now seemed deafening. He covered his ears, but was only made aware of the throbbing vessels in his head. It was like the very blood in his body was strangling him.


              Many moments passed while Simon remained in this state of meditative agony until he was interrupted by a series of loud explosions echoing in the distance. He suddenly felt alive, but was frightened beyond belief. Unanswerable dread had been replaced with a sharp sense of concern for his well-being. He picked up his head and swiftly looked in several directions before he discovered the source of the disturbance. In the distance, rain was falling from the swollen clouds above. The contact of this on the surface of the cliffs caused both substances to boil, then to erupt in blasts of vapor and shrapnel. The explosions also yielded bright flashes of white light from their source points. This invasion of sudden violence in the otherwise placid landscape was chilling, but far worse now was the realization that the veil of rainfall was reaching out toward him. There was no cover available—he had looked. If Simon could have spent these remaining moments staring into the object of his imminent demise, he would have. He, however, found himself blinded from the bright light. He could hear the sound of rain falling around him, accompanied by collective bursts of fizzling and small eruptions. The last thing he was aware of was a harsh burning sensation which lasted only a moment.


              There was no fear left in him—there was no need for it. There was no violence around him anymore. He awoke to find his house was on fire. He could not escape the flames.
              Last edited by Xisthruos; 10-05-2005, 06:58 PM.

              Comment


                #8
                Re: The Accusation

                Again, your writing was great. While I found this story entertaining, there's still something to be said for the way you describe things. I don't quite know how to put it, but it seems very unnatural and kind of... out of context, perhaps? I'm not sure exactly; it's described well, but it doesn't seem right. Like it doesn't fit with the story. I don't know how else to put it.

                The end was blatant and abrupt, but with stories like this, I fully expect that. It's hard to have an ending contrary to the story where you go on explaining things for whole paragraphs. I struggled with this concept a while back in BioHunter's 'Flying Turtle' topic, where out of boredom I created a short story about the picture he'd done of a flying turtle ferrying people around in a basket, much like a hot air balloon. I was having trouble figuring out how best to make the story end in a humorous way, while at the same time making the humor fit in exactly with what was going on in the end of the scene. I think I could have made it better had I opted out of the small paragraph between the two lines of dialogue that strung the humor together, and if you had tried to do something similar with your surprise ending - putting more than was necessary, that is - I would have felt the same way about it. Less is more in this case, methinks.

                Your writing also reminds me of Sejon Sol's writing. But that's neither here nor there.
                "Mindless killing doesn't do a lot for me anymore." - Sampson

                Comment


                  #9
                  Re: The Accusation (and one other story)

                  I've been lurking around the pavilion for a month or two, but this is the first time I've been moved to register. At any rate, I had a similar reaction to BRC in that both stories have elements of originality that come across as diluted in the end product. I think it's the 'voice' you use when telling the stories. It's almost clinical and matter-of-fact, but at that same time it's relating events that are far outside the norm of experience. Like listening to someone who's just experienced a very jarring and vivid event and doesn't have the vocabulary to express it properly to his/her audience. Understand that I'm not saying the author has limited vocabulary, but the presentation feels like it's being related to me secondhand.

                  Maybe it's just peculiar to these two stories, but it feels very reminiscent of M. Night Shaymalan's work, merging truly bizarre circumstances into the everyday world. And likewise, it benefits from the uneasy feeling that these events could happen, but it also lets the reader off the hook at the end by having an easy explanation at hand...the guy was crazy/being burned by fire.
                  So you're a fish out of water...
                  Keep swimming.
                  What else can you do?

                  Comment

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