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It's a great, great movie. Its environmental message is a billion times more heartbreaking/entertaining and a billion times less annoying than anything Miyazaki has been able to whip up.
I almost cried when towards the end they transformed all the land to what it looked like before, and they saw themsleves as cubs, and they went running down the hill crying.
Another good Miyazaki movie(which they showed last week), is Porco Rosso. Great movie, with a sad ending.
Luckily I caught wind of TMC's good works last week. (I had already seen all the films they showed earlier in the month).
I'm very glad to own Pom Poko on DVD. The message is not just environmental, but the tanukis (misappellated as "racoons" in the English translations) are a metaphor for "non-civilized," indigenous people in the modern age of globalization.
I also watched Only Yesterday earlier tonight (Disney is not currently planning to release it here) and am just about to catch the second running. I'm finding that all of Isao Takahata's films end with a very powerful last-twenty-minutes that complete the rest of the film.
If you're online now, I suggest you watch it!
Did anyone else see TMC's showing(s) of Whisper of the Heart?
Yeah, the precociousness is extreme to the point of constituting a standing metaphor for the complexities that face adults (but it's not like we don't find more ridiculous tomfoolery in, say, the Battle Royale manga).
I think I appreciate the movie more than you did. I'd say the movie cruises on characterization alone, and also unveils a nuanced understanding of human relationships and a mature take on idealism operating with reality. Other essentially idealistic movies with soulmate sensibilities (like Amelie) usually do not do this.
But we both agree that Miyazaki's environmental yarns are comparatively yawn-worthy!
I wouldn't say I didn't think Whisper of the Heart more than redeemed itself in the end. Once the story gets going, it has a wonderful message for a person of any age.
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