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Goyle's Short Stories - Fire and Brimstone [Updated]

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    Goyle's Short Stories - Fire and Brimstone [Updated]

    This is a little short story I'm working on, set in the world of a book I'm going to (attempt) to write someday soon. I'm doing a series of stories on each of the main characters to try and develop their personalities more. This is the first one, not about the main character, however about the character I like the most, who's name is, unsuprisingly, Goyle.

    ---

    Fire and Brimstone
    A Faremor Story
    By Joe R.

    An inferno. That’s what his life had become. All around him, the world was an inferno. Everything burned; childhood memories being reduced to ash and soot. He sat curled up on the floor of his room, clenching at the blanket his human mother had woven for him not three days earlier. Three days before the villagers came. He didn’t know why they hated his family so much. But they did. He clenched the blanket tighter and curled up for what he thought would be his last moments, sobbing. And then, there was a roar and a crash, and a tall, slender figure burst through the door to his room, swept him up off the floor, and broke out through the second-story window, all in one fluid motion.

    He looked up at his father as they landed, the once-great gargoyle warrior, now weakened by age and the life of a father and husband. Maybe that was why the villagers hated them. Because his family was not conventional. Because he was a half-breed.

    He then looked toward his house, also once great, now little more than a burning pile of kindling. He looked to the side, seeing a small army of farmers and merchants and peasants, all wielding some sort of weapon, advancing on his father and himself.

    “Where’s mama?” he choked through the soot in his lungs. His father shook his head and for the first time, the life in his father’s eyes was gone. His ability to think was gone. He couldn’t even form a sentence. He began to wonder if burning to death would have been the better alternative.

    His father set him on the ground and told him to run. Run to the mountains. Run until he couldn’t run any farther. He shook his head, but the villagers were closing in. His father told him to run again. And he did. He didn’t stop until his legs gave out beneath him, and he fell into the underbrush. He sat up and looked back, the smoke from his burning home clouding the sky. He had lost everything. He had no home, no family. His head was so clouded that he couldn’t even remember his real name. When he tried to recall it, the only things that came to him were the jeering voices of his peers and the name they had given him: Goyle.

    He had lost everything, his family, his home, and even his name. Exhausted and sobbing, the youth half-breed now known as Goyle fell into a deep sleep filled with nightmares of flame and ash.


    +++

    It had been weeks. Goyle stumbled through the underbrush of the [Ilzard] mountain range, scouring for something edible. He was ravenous; the mountains did not have much in the way of food. He’d been lucky to find any kind of non-poisonous vegetable, let alone any kind of meat. He knew his luck would run out before long, and he would starve to death, bitter and alone in the wilds.

    He still clung to the blanket that his mother had made him. It was the only thing he had left, and, despite many tumbles into bramble patches and thick underbrush, it was as soft and warm as the day his mother had handed it to him. He wasn’t sure why, and wasn’t going to question it.
    Goyle sudden jerked his head to the side. He had heard footsteps, coming this way, he was sure of it. Not knowing who was approaching, he leapt into the underbrush and concealed himself. Some time passed, and finally the source of the footsteps appeared on the path.

    An old man wearing a simple, dusk-gray robe was casually strolling down the rough path. Goyle wasn’t sure what this old human was doing in the mountains, but simply seeing him filled Goyle with cursed memories and rage. A voice in the back of his head told him what he was about to do was wrong, but the voice was too weak to penetrate the cloud of anger surrounding his sense.

    “An odd place for a stroll, isn’t it?” he questioned in the gruffest voice he could manage, which sounded just like a child’s mimic of an adult. The old man turned slowly toward the source of the voice, his face not changing.

    “Yes, well I do like the serene settings here. It’s a favorite place of mine to get away to. However, I don’t recall any talking shrubs being here.”

    “I’m not a shrub, old man,” Goyle continued in his mock-fearsome voice. He stepped out from the shrubs. “Now give me all your supplies. I’m hungry.”

    Though Goyle was merely ten, he was still imposing by human standards. His gargoyle features; long gray horns, wings, matching tail, and stony skin covering his forelimbs and chest, gave him a feral look, though he was still a great deal shorter than the old man.

    “Well now, aren’t we rude. If you had simply asked politely, I would have gladly shared my rations with you. However, now I don’t think I will.”

    Goyle took a step forward. “Now, old man. Or things get ugly.”

    A hint of a smile played on the old man’s lips. “You may try, child.”

    “I am not a child!” Goyle roared, and charged forward, ready to batter the old man in the midsection with his horns.

    The old man simply laughed and sidestepped the charging half-breed, knocking him on the head just hard enough to make him stumble and fall to the ground.

    “Ow! You meanie, why’d you do that!”

    “If I remembered right, you were the one who attacked me, little one.”

    “I’m not little!” Goyle got back up and swung his fist at the old man, who easily batted the blow aside. Goyle continued to swing and kick and flail, but the old man simply deflected each blow harmlessly.

    After a few minutes of thrashing about, Goyle collapsed to his knees, panting heavily. He slammed his fists into the ground, and began to cry.

    “I’m not strong enough,” he sobbed, and looked up at the old man now standing over him. “I guess this is the end of my line…just make it quick.”

    The old man’s expression changed for the first time, into one of shock. “Why, child, why on earth would you think I would want to harm you, let alone kill you?”

    “Because you’re human…you hate me.”

    The old man shook his head and put his fingers on his temples. “I see…you must have been the victim of a great prejudice to think that.” He bent down next to Goyle. “But understand, o child, not all humans are so filled with hate. All creatures possess good and bad. I’m afraid you’ve simply only dealt with the bad.”

    The old man gave Goyle another look over. The half-gargoyle was covered in dirt and dust, though his unnaturally tough hide had spared him any kind of visible wounds. “You must be homeless to wander this part of the mountain chain. Tell me, would you like to come live with me at my temple?”

    Goyle stopped sobbing and looked up at the old man. “You…you mean it? A home?”

    The old man smiled. “Yes, my child, a home. I am a monk; I take in children of all makes and types under my wing, children society has forgotten. I train them physically and mentally, so they may be enlightened, and harbor no hatred in them for the rest of the world. My name is Master Ulreth. Tell me, what is yours.”

    Once again, Goyle tried to recall his full name, but it was lost in a sea of darkness. “I…I don’t remember…but you can call me Goyle.”

    “I see…well then, young Goyle, we had best make haste if we are to make it to the temple before sundown.”

    Goyle smiled for the first time in what had felt like forever and nodded with enthusiasm. He started down the path with Master Ulreth, but stopped mid-stride.

    “Oh, yeah!”

    He dashed back into the underbrush and emerged holding the blanket his mother had woven him, still as sterling and neat as ever. And with that, he joined Master Ulreth on the way to his new home.

    +++

    Time passed, and Goyle grew strong. His heritage blessed him with an amazingly potent blend of natural talent. His human side had given him a cunning edge; a mind for brilliant tacticians and a general dexterity that allowed him to learn almost any weapon he could lift. His gargoyle side gave him immense strength and stamina, and his hide could take much abuse before even showing wear.

    Over the next five years, Goyle trained under Master Ulreth and his fellow students. There were children from all breeds: humans; the enigmatic and ferocious beetle-men, the Yaeug; the intelligent and dark Shadowkin. The humans easily made up the majority; however all the students got along without quarrel, thanks to their Master’s teachings.

    Goyle quickly showed himself to be the temple’s strongest fighter. He was a master of both hand-to-hand and armed combat, wielding a wooden practice sword as easily as an enormous partisan or war club. No other student could top him in physical prowess, not even the mighty Yaeug.

    However in spiritual matters, Goyle lacked. He still harbored hatred for the humans of his old village, a hatred that he couldn’t simply meditate away.

    ---

    I'll try and finish it tomorrow. It's actually probably not even half-finished, however I felt like posting what I had now, since getting some feedback would probably encourage me to try and finish it.

    EDIT: Posted more of it, probably now about half done.

    Oh, and if something's in brackets, it's a temporary name, considering I'm too tired to actually make decent names...ever.
    Last edited by Goyle; 06-21-2005, 01:53 AM.

    #2
    Re: Half-finished short story.

    I don't typically like fantasy novels but wow, Joe. I really love the world you've created. I can't wait to see the final product. props bro

    Comment


      #3
      Re: Goyle's Short Stories - Fire and Brimstone [Updated]

      Thanks Josh. One of my friends says the same thing, and I take it as quite a high compliment.

      I added a little bit more, but not a whole lot. This one's still not even close to done.

      Comment


        #4
        Re: Goyle's Short Stories - Fire and Brimstone [Updated]

        This is a great attempt at a fantasy setting, if a little cliche. Orphaned half breeds cast out of society and temple training are by no means original concepts, but rarely is an idea truly original. Something about the way you committed the ideas to the story makes me not care one bit that it's cliche, which is great. I'm fairly interested to read more of this.

        Now for the dreaded criticism.

        “Where’s mama?” he choked through the soot in his lungs. His father shook his head and for the first time, the life in his father’s eyes was gone. His ability to think was gone. He couldn’t even form a sentence. He began to wonder if burning to death would have been the better alternative.
        I'm finding it unclear as to whether Goyle or his father is having the thought about burning to death. The reason I bring it up is that you started the story under the third-person perspective of Goyle, and depending on your method of perspective, it dictates whose thoughts you get to see. Normal storytelling in third person is one of two types of perspective:

        1. There's third person singular (of which I don't know the technical term), where, in any given scene, you are privy to only one person's thoughts and viewpoint. Except for the line above that makes me think the father is doing the thinking, you've stuck to this method of perspective throughout. Speaking in terms of fantasy storytelling, this is the method most commonly used from my fantasy collection, ie. Robert Jordan's The Wheel of Time series, Elizabeth Haydon's Rhapsody series, James Clemens's Wit'ch Fire series.

        2. There's third person omniscient, where you tell a story that gives you insight into every important character's psyche and thought process. Sara Douglass, who tends to write medieval European fantasy, uses a form of this method in her The Crucible series, where she'll start with one viewpoint, and then sometime during the scene's narrative, she'll instantly switch to another character's viewpoint. This is perfectly acceptable as she isn't doing what's commonly referred to as 'head-hopping,' where she'll have one perspective throughout, but suddenly give a different character the perspective for a sentence or two, and then 'hop' back to the original perspective.

        Frank Herbert's Dune used traditional third person omniscience to tell the story. Any important characters who might find themselves in a particular scene are open to have their thoughts presented in an amalgamation of jumbled perspectives. This is where 'head-hopping' runs wild. In any scene, the perspective could be omniscient and we're bombarded with thoughts from every character. This method of perspective is my least favorite because it tries to be all-inclusive, and ends up being long-winded and boring.

        Of course, there are exceptions to every rule, and you don't have to follow any rule at all to tell your story. But if you decide you'd like to get published, following perspective rules will get you much farther in the door than 'head-hopping.'

        Was that too much? I tend to overexemplify my points.

        Here's another example of what I feel is 'head-hopping':

        The old man gave Goyle another look over. The half-gargoyle was covered in dirt and dust, though his unnaturally tough hide had spared him any kind of visible wounds.
        This is hardly noticeable as a perspective change, but the old man is doing the perceiving of Goyle's grime and hide, making me see through his eyes for just a moment before switching back to Goyle's perspective. If I may be so bold as to offer up an alternative to this, I would gladly do so.

        The old man gave Goyle another look over; Goyle could see his grim features as he took in the dirt- and dust-covered youth. He lowered his head in embarrasment as the man said, “Why, no reason to be down about dust. That tough-looking hide of yours makes you no worse for the wear. You must be homeless to wander this part of the mountain chain. Tell me, would you like to come live with me at my temple?”
        I took it a little bit too far, I think.

        ***

        His gargoyle features; long gray horns, wings, matching tail, and stony skin covering his forelimbs and chest, gave him a feral look, though he was still a great deal shorter than the old man.
        When you are going to offer up a series of items in this manner, here's something to remember.

        Semicolons are used to connect two sentences with like ideas (which I've noted that you are aware of this rule), or to act as dividing commas in a series when the items in the series already have commas in them (another rule I've noted you know).

        Before your semicolon in this complex sentence, you do not have a complete thought. 'His gargoyle features' does not a complete sentence make. Neither then would putting a colon before this particular series be grammatically correct. When you use a colon in front of a series of items, the preceding clause must be able to be a complete sentence without the series. He bought three video games: Astynax, Tetris, and GTA. NOT The three video games he bought were: Astynax, Tetris, and GTA.

        Now that I've explained why those two punctuation marks are ill-advised in this instance, I'll give you the one you should use. It's the dash. A dash is best explained as an emphasized comma. Don't use a dash if the portion within doesn't seem like it needs that extra push to make it important. When you want to say something that emphasizes an idea in the sentence, but you can't fit it in grammatically without fudging it up, you use a dash. Let's put it to use in your sentence.

        His gargoyle features - long gray horns, wings, matching tail, and stony skin covering his forelimbs and chest - gave him a feral look, though he was still a great deal shorter than the old man.
        The way the sentence presents itself now is much easier to read - at least to me. If you were to remove the entire dashed portion, you would still have a complete sentence, and it's important to remember that rule when using commas and dashes in such a way.

        ***

        His human side had given him a cunning edge; a mind for brilliant tacticians and a general dexterity that allowed him to learn almost any weapon he could lift.
        This would be an instance where the portion after the semicolon is not a complete sentence. It took reading it a couple of times before I realized it, but the best use here would probably be a colon, as you are presenting a series following a complete thought.

        ***

        I think that's everything. I hope this helps and isn't too intrusive.
        "Mindless killing doesn't do a lot for me anymore." - Sampson

        Comment


          #5
          Re: Goyle's Short Stories - Fire and Brimstone [Updated]

          Originally posted by Big Rick Cook
          I think that's everything. I hope this helps and isn't too intrusive.
          Quite the contrary, Biggy. I'm very happy to get criticism about things, and it actually makes me feel good that better portion of it was grammatical and not about the story itself. I'm much less sensitive about how I write than I am about what I'm writing about. I'll make sure to look at those changes and make them, and try and keep them in mind in the future. While I like to think I have a decent grip of the English language, I'm by no means a master, and love to be corrected from time to time. It's how we learn.

          EDIT: Another thing, I'm curious to know if the word "Ilzard" sounds familiar to anyone else. It just seems like I'm pulling a name from something else, but I can't place where.
          Last edited by Goyle; 06-21-2005, 09:08 PM.

          Comment


            #6
            Re: Goyle's Short Stories - Fire and Brimstone [Updated]

            There are some great grammatical rule books out there that I encourage everyone who's serious about writing to pick up.

            Woe is I by Patricia T. O'Conner
            Writing Down the Bones by Natalie Goldberg
            A Writer's Reference by Diana Hacker (you should be able to find this one at university bookstores)
            The Elements of Style by Strunk and White (also a university bookstore find)

            Out of those four books, I recommend Woe is I and A Writer's Reference the most.
            "Mindless killing doesn't do a lot for me anymore." - Sampson

            Comment


              #7
              Re: Goyle's Short Stories - Fire and Brimstone [Updated]

              I actually have A Writer's Reference, my English teacher sophomore year made us buy it. I should probably actually flip through it some time, but I'm generally too lazy unless I have a serious question.
              Last edited by Goyle; 06-21-2005, 10:46 PM.

              Comment


                #8
                Re: Goyle's Short Stories - Fire and Brimstone [Updated]

                A Writer's Reference is great when you just need direct answers.
                I find Woe is I to be more succinct and easier to handle. It also contains tidbits of humor.
                "Mindless killing doesn't do a lot for me anymore." - Sampson

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