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To the Child Soldier

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    To the Child Soldier

    this isn't even a short story, it's a micro character piece. But the shortness means it is very high quality (there will probably be something you guys catch, though. )
    Also, some of you might recognize the character...yes, this is the same Hioku from Carnage Bladers.

    “To the Child Soldier”

    War was so grand, back when the news came just as fast as the returning soldiers. The truth was masked to the civilians. Glory meant so much more, and oh, how people fought for it! So when the carriages came with the warriors, only cheers could be heard. It did not matter how many they had killed, what they had done for their countries "honor". As long as it was sons sent home instead of pine boxes, it was a glorious event.

    One by one, the homecoming warriors were tentatively reclaimed by friends, family, lovers, all those who wished them back in the fold of civilization. Some would fit in seamlessly; others would be twists in the fabric of society. But there was one stray thread, more visible as the crowd around him dissipated: Hioku Rakakuri.

    Normally, he would have been the first to go. He would walk with determination even if there was no destination in mind. But today he wanted to once again be swept up by command, to be told what to do. So he sat and waited for orders, orders that never came.

    He sat against a building wall - he had no clue what it was. His body stuck out at odd angles, ruining any grandeur the army uniform had. Was he even old enough to be in the army? Hioku didn’t have a clue. He didn’t know when he had been born - couldn’t even read. If he was old enough, it was a close thing.

    His luggage was in two pieces, completely at odds with each other - a ragged case that contained what little possessions in the world, and the bag. Small, leather, pristine - Hioku HATED that bag, for he knew its contents. Idly he passed it up and down in his hands, as though he could distract himself of its purpose. But still it mocked him, unceasingly, until in despair he threw it to the ground.

    A few dozen small, purple stones rolled innocently to the ground. Through tears he looked at the nearest. Lamin Shuoto, from Hiyu. Nak Corps. Knight, Third Order. This was a death stone. Hioku had killed this person in battle. Didn’t know when, didn’t know the face, just that it was his doing.

    Crim Olgi, from Shazar. Nak Corps. Knight, Fifth Order. What made this people any different from the soldiers on his side? It was just a war, a stupid war, nothing gave him the right to do this.

    Shiryu Jalhara, from Shazar. Nak Corps. Knight, Second Order.
    That’s all it told him. What a disgrace. What a dishonor.

    Mal Wenston, from Iopas. Nak Corps. Knight, Fifth Order.
    And then Hioku could stand it no more and fell to the ground sobbing.

    When he stood up, his emotion stayed in the small, saline puddle in the dirt.

    <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>

    Hioku Rakakuri. The murderous master solider. Thirteenth order, I heard. Didn’t know it went that high. And he’s so young! Must be one cold-hearted bastard, that Hioku.

    The talk followed him everywhere. He had heard it all before. After all, not many soldiers had killed as many as he had. His extreme youth had allowed him to stay in the army much longer than most - still active duty after eight solid years of service. But each time he returned, he swore that this was the last time, that he was done with the service. And then he came to the military return station, and saw that wall, and remembered back before he knew to kill his conscience.

    He always returned later than he was relieved of duty. This was because, after his service, he took a diplomatic visit to the other side. He turned the names on the stones into people. Hioku always came back with papers, papers describing surprisingly personal details. He may be the killer, but when he offered to keep the history going, quite a few people separated this mild mannered man from the war. Of course, many more people would not talk to their child’s killer, but he just asked around town to learn what he needed to know.

    How can you record the history of people without feeling the guilt of their death? It was a mental tightrope, but for now he managed to walk it.

    When he arrived home, he took the stones and carefully hung them up. In a small cabinet underneath each one, he placed the papers of their life stories. He would read them every day, again and again, until they were memorized. Of course, he would return to the war, because once at home he could once again realize the sad truth: he could never quit.

    Someone killed in war becomes a statistic, or at best a name. Hioku killed people.
    Last edited by hitogoroshi; 04-23-2008, 07:26 PM.

    #2
    Re: To the Child Soldier

    Ooooo, nice! I escpecially like the title (don't ask me why).
    Last edited by 162; 04-22-2008, 08:19 PM.
    162, representing

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      #3
      Re: To the Child Soldier

      I'll get to this in the morning, Hito. Swear. Scout's Honor, or some bull-puckey.
      "Mindless killing doesn't do a lot for me anymore." - Sampson

      Comment


        #4
        Re: To the Child Soldier

        I'm not catching the reference, but I really love the piece. Profound, emotional, real, and very nicely written. So does "micro character piece" mean this is a one-and-done deal, or do we get to look forward to seeing more?


        How Badly Do You Want It? (VX Ace) is now available for download! - no outside software necessary.

        "I live and love in God's peculiar light." - Michelangelo

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          #5
          Re: To the Child Soldier

          mild mattered. I'm trying to wrap my brain around this, and I can't file it away. Was this intentional and I'm just not getting it, or were you going for mild-mannered?

          "what they had done in their countries' name" is really awkward, though I'm not positive it's wrong. But it seems like it would fit better if it was "their country's name" or "their countries' names" and since I don't know for certain how many countries are involved on the side of Hioku.

          You seem to have a fondness for dash separations of your sentences - which is fine, usually - that more often detracts from the sentence as a whole rather than properly emphasizes what's inside the clause. It's also a bit strange when I see them so close together, like just two sentences apart, but that's a personal preference of mine, to use them sparingly, so that their emphasis isn't lost in repetition. In the sentence where you use the dash to separate and emphasize "he couldn't even read": it just seems like that's not the important part of the sentence, given the nature of his ruminations about age in the sentences prior and following. It almost feels like you put that in there to further elucidate on his character and personality, but there's not much of a reason for it to be there aside from gratuitous and unnecessary explanation, since his intelligence doesn't seem to factor in much at all to this specific character study. It's good to know, but it feels like it needs to be somewhere else, when it's important to know it.

          I could be totally off-base there, and I welcome a defense against my critique on the point.



          That ugly stuff out of the way, it's a good read. I enjoyed his emotional range concerning the military and the deaths he'd caused, and the line "his emotion stayed in the small, saline puddle in the dirt." is pretty awesome. Though it makes me wonder just how much this nancy-boy can cry, since tears tend to absord right into dirt. =P

          In short, I want more. He's a cool guy, a bit emo perhaps, but nevertheless a character I want to read more about. The one thing I might have bad to say about it is the sheer amount of passive voice used with all the "was" and "were" tossed around. It's kind of unavoidable given the nature of the piece, but I think with a bit of tweaking you could tone down a lot of the passive into more effective active statements.

          And one other TEENY tiny thing I want to ask: his little leather bag that you describe as pristine. It feels very unlikely that the bag would be "pristine" given his anger towards it in the scene we get. And if it, like he, is well-traveled and war-torn, it seems very unlikely that it's in the same condition as the day it was made. So, clarification on that?
          "Mindless killing doesn't do a lot for me anymore." - Sampson

          Comment


            #6
            Re: To the Child Soldier

            Originally posted by Big Rick Cook View Post
            mild mattered. I'm trying to wrap my brain around this, and I can't file it away. Was this intentional and I'm just not getting it, or were you going for mild-mannered?
            Nope, I wanted n's. Thanks for catching that.

            "what they had done in their countries' name" is really awkward, though I'm not positive it's wrong. But it seems like it would fit better if it was "their country's name" or "their countries' names" and since I don't know for certain how many countries are involved on the side of Hioku.
            This is one of those things where I don't particularly see anything wrong, but there are a dozen other phrases that would work just as well, so I tweaked it.[/QUOTE]
            You seem to have a fondness for dash separations of your sentences - which is fine, usually - that more often detracts from the sentence as a whole rather than properly emphasizes what's inside the clause. It's also a bit strange when I see them so close together, like just two sentences apart, but that's a personal preference of mine, to use them sparingly, so that their emphasis isn't lost in repetition. In the sentence where you use the dash to separate and emphasize "he couldn't even read": it just seems like that's not the important part of the sentence, given the nature of his ruminations about age in the sentences prior and following. It almost feels like you put that in there to further elucidate on his character and personality, but there's not much of a reason for it to be there aside from gratuitous and unnecessary explanation, since his intelligence doesn't seem to factor in much at all to this specific character study. It's good to know, but it feels like it needs to be somewhere else, when it's important to know it.

            I could be totally off-base there, and I welcome a defense against my critique on the point.
            Well part of it is just me using a dash where I need a colon, which is a bad habit that often bites me in the ass. So I fixed up those ones.

            But I do think the "he couldn't even read" is important. That's highlighted to show that they took an illiterate kid, someone who didn't even know if he was eligible, and sent him off to war.

            And one other TEENY tiny thing I want to ask: his little leather bag that you describe as pristine. It feels very unlikely that the bag would be "pristine" given his anger towards it in the scene we get. And if it, like he, is well-traveled and war-torn, it seems very unlikely that it's in the same condition as the day it was made. So, clarification on that?
            No, the idea is they gave him the bag at the end. I didn't really get to that particular piece, but basicially having a bunch of death stones is supposed to be such an honor they give you a nice new bag to carry them in.

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              #7
              Re: To the Child Soldier

              Ah, the bag was bothering me because of that one word. =P

              Stuff like that, even in small pieces such as this, can often lead to confusion when not explained in just the right way.

              The smaller the story or bit, the harder it is to decide what fits and what gets cut, so I don't envy you at all trying to work in as much as possible in as little space as possible, and besides the points I brought up already, you did a fine job of it. And I'm just really nit-picky anyway.
              "Mindless killing doesn't do a lot for me anymore." - Sampson

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